The Lady Lever Art Gallery and Sudley House will be home to two new exhibitions, German Revolution Expressionist Prints and Home and Away.
Exhibitions are free, but National Museums Liverpool invite visitors to make donations where they can. This support is vital in helping to fund the extensive work they do, allowing NML to continue to educate, research, conserve and make our collections accessible to all.
Picture by Gareth Jones
German Revolution Expressionist Prints: 2 October 2020 – February 2021
Opening at the Lady Lever Art Gallery on 2 October,
is a powerful exhibition portraying a chaotic post-First World War Germany and featuring works from some of the 20 German Revolution Expressionist Prints th century’s most renowned artists including Picasso, Kollwitz, Munch, Schiele and Beckmann.
This monumental group of works juxtaposes the very different responses artists had to the turmoil of Germany’s revolution in the period 1900 to 1925. Some turned their backs on the physical destruction and looked inwards. Kokoschka, Schiele, Schmidt-Rottluff, Nolde, Pechstein, Heckel, Dix, and Corinth all made prints exploring human stories as an antidote to the disaster of the war.
Others, including Kollwitz, with her raw and carefully observed works, encapsulated the terror, hunger and sheer misery that enveloped the city of Berlin, which had been the German world’s great international centre for the production and exhibition of art. Works by Munch, Picasso and Goya are also included in the exhibition to demonstrate the influence of other European artists on those working in Germany at the time. The exhibition also looks at the range of printmaking methods used by the artists, including woodcut, lithography and etching.
Ann Bukantas, Head of Fine Art for National Museums Liverpool, said:
“This exhibition looks deep into the heart of a very dark time in Germany’s history when artists were rejecting French Impressionism as superficial and bourgeois. They were witnessing terrible suffering among the poor and vulnerable in their country and sought a way to represent this.
“They created radical and diverse works – some were a bid to escape the turmoil of the German revolution while others were a desperate cry for change. Even today, these visceral images still possess a universal power to stir the emotions . ”
Must-see items include two works by Käthe Kollwitz, La Carmagnole of 1901 and Helft Russland (‘Help Russia’) of 1921; In the Man’s Brain by Edvard Munch of 1897; Max Beckmann’s Adam and Eve of 1917 and Pablo Picasso’s The Frugal Meal of 1904.
The exhibition is organised by The Hunterian, University of Glasgow.
Picture by Gareth Jones
Home and Away: 30 September 2020 – TBC
Sudley House will feature the new exhibition
Home and Away , opening with the venue on 30 September featuring oil paintings of both foreign and local views. The foreign views all come from George Holt’s collection, housed at Sudley and inspired by his family’s interest in travel. There will also be a range of views of Liverpool and the local area in the 19 th century from the period in which the Holts lived at Sudley. The ‘home’ views largely come from the Walker Art Gallery’s collection. The display will include two works by John Atkinson Grimshaw as well as Jean-Léon Gérôme, Thomas Creswick, Frederick Goodall, Charles Trevor Prescott and Eduardo de Martino.
Holt began collecting around the late 1860s; by 1884 when the family moved to Sudley he already had over 200 paintings, drawings and prints. The display gives us a view into the collecting habits of a group of Liverpool merchants who purchased British paintings in the second half of the 19 th century. Holt’s is the only collection to survive intact, thanks to his daughter Emma who bequeathed it to the city of Liverpool in 1944
Jessie Petheram, curator of Home and Away said
: “We’re delighted to have been able to bring this group of paintings together at Sudley House. The exhibition is a wonderful chance for visitors to Sudley to get a greater understanding of the global, social and visual culture surrounding the Holt family. The John Atkinson Grimshaw and Charles Trevor Prescott views of Liverpool are perennially popular, with another highlight being a study by the important French artist Jean-Léon Gérôme (1824-1904) for ‘Circus Maximus, Rome’. The finished work is in the Art Institute of Chicago.
“Holt mainly seems to have collected British artists, but Gérôme is an exception. He was considered the world’s most famous living artist during his heyday, frequently painting scenes of Greek mythology, ancient history and Orientalism.”
The display shows the visual culture on offer to the Holt family, both in paintings and in their daily lives. It also shows that 19
th century Britain frequently looked outwards and as a wealthy merchant and owner of Sudley House, George Holt surrounded himself with art that demonstrated his involvement in this global context. Many societally held views were complex and troubling and viewed through the eyes of the British Empire.
NML is committed to becoming more transparent about the origins of its collections. The labels that accompany some of the paintings in
Home and Away detail how many of the buildings and areas of the city are strongly associated with Liverpool’s involvement in the Transatlantic Slave Trade. An example is the Town Hall which appears in two paintings on display. The building has carvings on the exterior which depict African people alongside elephants. This is a reference to the wealth Liverpool obtained from the African continent through the exploitation of its people and resources. It is also noted that Bold Street, painted by Charles Trevor Prescott, was named after the prominent slave trader Jonas Bold.
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